![]() This results in photographs radiating with sharpness and lifelike accuracy. The inclusion of one aspherical element actively diminishes distortion and spherical aberrations. It's not just a lens it's a canvas for your creative and artistic endeavors. Even subjects just 11.8" away can be captured with pristine clarity, thanks to its minimum focus distance.Īrtistic Excellence with Sigma's Art Lineīeing a proud member of Sigma's revered Art line within the Global Vision series, this lens is tailored for those seeking optical performance that truly stands out. Beyond offering stellar low-light performance, this aperture ensures a shallow depth of field, putting you in full control of your subject's focus.Įquipped with updated optical configurations (9 elements in 8 groups) and rounded aperture blades, expect nothing less than crisp details and an enchanting background bokeh. Positioned as a standard focal length lens with a 35mm equivalent of 45mm, this gem offers an ideal balance for versatile shooting, from riveting portraits to expansive landscapes.īoasting an impressively bright f/1.4 maximum aperture, you can confidently venture into dimly lit scenarios. Let's delve into why this lens, is a game-changer for every shutterbug out there. Press the button, it locks.Elevate Every Shot: Sigma 30mm f/1.4 DC HSM ART Lens for Canon EOS DSLR CamerasĬrafted for the discerning photographer, the Sigma 30mm f/1.4 DC HSM ART Lens promises impeccable performance on every Canon APS-C format camera. Most of the time it’s ok: on the EOS M it focused as fast as the EF 35mm f/1.4L USM, that’s always a pleasure to use. But looses itself when the contrast is low. The AF uses the same hypersonic motor of other Global Vision Arts. The left switch controls the AF motor and supports full time manual: even at AF you can use the ring to compensate for any camera errors. The rubber grooves are deep, sticky, better than some Ls. ![]() It’s tough but smooth, years ahead of any intermediary Canon. It’s easy to use with a rubberised manual focusing ring, with no play or lag, and relatively heavy on my brand new copy. It’s practically a L series for a fraction of the cost. Sigma did a great job and these lenses are the highlights on most kits. It’s a lens apart in the APS-C market because it features the same great build quality of its full frame siblings, and costs a whopping US$499. Nothing wobbles and the single barrel features an internal, rear positioned focusing group, completely sealed at the front. Inside the thermally stable composite is the structure behind a robust and light body. It looks and feels excellent while in use. And the “A” (art) badge validates the genuinely high end project. At the front the manual focusing ring is generous for the lens size. It continues to a rubberised outer barrel, with grooves to enhance grip. We start at a brass mount, very solid and quick to use, followed by a shinny metal finishing, colder to the touch. It’s the same design, finishing and ergonomics. In your hands it feels like a plastic and metal tank, like a baby Art. The DC lens is small but not particularly compact. And on the full frame format, Global’s Vision own 35mm f/1.4 DG HSM sits at 77x94mm and 665g, 50% larger. ![]() The Nikkor AF-S DX 35mm f/1.8G, for instance, is 70x52mm and 200g, practically half the volume. It looks made with higher end, metal bodies in mind (7D, D7100) instead of the plastic, lower end models (T#i, D5/3#00). At 74圆3mm and 435g the 30mm size is bigger than any other APS-C prime that we’ve seen.
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